Thursday, November 20, 2025

**Before the Gown and Glitter: Lina Luaces’ Real Story According to Childhood Friends and Mentors**

 


Long before the spotlight hit her face or the sash with *Miss Universe Cuba 2025* was draped across her shoulder, Lina Luaces was simply “Lina from the block”—the girl who ran barefoot through her neighborhood courtyard, hair in a messy bun, chasing big dreams without knowing how big they really were. To the world, she arrived almost fully formed, a polished contender on an international stage. But to the people who knew her first, the victory feels less like a surprise and more like the inevitable result of a spark they saw years before anyone else did.

 

Ask her childhood best friend, Mariel, and she laughs before answering—because even as a ten-year-old, Lina had a regal posture that didn’t match her tiny frame. “She’d hold her chin up like she was balancing a crown,” Mariel says. “But she wasn’t acting ‘fancy.’ She just… carried herself like she was ready for whatever came next.” That quiet confidence didn’t come from vanity or competition. It came from watching strong women—her mother, her aunties, the neighborhood elders—navigate life with resilience and generosity. They taught her that dignity wasn’t something granted; it was something you cultivated.

 

Despite her natural charisma, Lina wasn’t the loudest in the room. Her elementary school art teacher, Señora Torres, remembers a shy girl who expressed herself through drawings before words. “She’d sketch girls in dramatic gowns with geometric patterns and crazy colors,” Torres recalls. “Not because she wanted to be a designer—she just loved imagining stories. Each dress belonged to a character with a personality. Even then, she saw people deeply.” This early creative curiosity would later influence her pageant styling choices, which often fused bold storytelling with Cuban cultural motifs.

 

Her mentors describe her early years as a delicate balance between ambition and humility. She wanted to try everything—dance, singing, school clubs, volunteer projects—but she never pushed to be the star. In fact, she often pushed others to the front. Coach Diego, who ran the local girls’ athletic program, remembers one moment vividly: during a relay race, Lina noticed a teammate panicking under pressure. Instead of insisting they stick to the plan, she whispered, “Run as fast as you can. I’ll handle the rest.” The team didn’t win that day, but something stuck with him. “She didn’t care about the medal. She cared about people. That’s rare.”

 

The people closest to her remember something else too—Lina asked questions. Not just the shallow kind, but the big ones. Why do some people have more opportunities? Why do adults lose their creativity? Why can’t kindness be a leadership skill? These conversations were seeds that would later grow into her advocacy for youth empowerment and access to education. Long before she stood behind microphones, she stood in front of neighborhood kids, helping them with homework or explaining the stories behind the books she loved.

 

When Lina entered her first small community pageant at 14, nobody expected her to win—not even her. She went in wearing a borrowed dress, shoes one size too big, and a smile that seemed both nervous and determined. Her mother couldn’t afford a stylist, so her older cousin did her makeup using YouTube tutorials. After the event, she didn’t win the crown, but she did win a special award for “Most Inspiring Presence.” To friends and family, that moment was important not because she lost, but because she found something: a platform that would let her amplify the same values she practiced daily.

 

Through her teen years, Lina’s circle stayed small but supportive. Friends say she was the person everyone came to with problems, even though she rarely talked about her own. Her high school counselor, Mr. Gutierrez, recalls how she’d volunteer to sit with new students during lunch—especially those who struggled with the language barrier or felt isolated. “She made people feel seen,” he says. “Someday the world would see her the same way.”

 

Her mentors also talk about a work ethic that didn’t always look like work. Lina didn’t shout her ambitions from rooftops; she chipped away quietly—taking movement classes, reading about public speaking, researching global issues, practicing interview skills in the mirror. When asked why she tried so hard for things nobody else could see, she’d say simply, “Because one day I might need them.”

 

That “one day” arrived faster than anyone expected. When the Miss Universe Cuba 2025 competition announced a more inclusive process, encouraging candidates from the diaspora as well as the island, Lina hesitated. The world of pageantry seemed enormous, overwhelming. But her mentors pushed gently. “If your purpose is to uplift others,” Torres told her, “then why not stand where your voice travels the farthest?”

 

And so she entered—this time not with borrowed pieces, but with years of inner preparation. Her childhood friends cheered from living rooms, school group chats, and café corners. Her mentors watched interviews where she carried herself exactly as they remembered: thoughtful, warm, grounded, but sharper than ever—refined by life, not by competition.

 

Beauty and performance weren't the only things celebrated when Lina won.  For those who were closest to her, it was like witnessing a promise come true.  A queen in a gown, glitter, and perfect stage presence were all visible to the world. Her loved ones saw the little girl who drew dresses with stories, the teen who comforted nervous friends, the young woman who believed kindness could transform spaces.

 

Today, as she prepares for the global Miss Universe stage, her roots remain her compass. She still talks to her mentors weekly, still checks in on childhood friends, still asks questions that pull people into deeper conversations. And although the world now sees her as a rising international figure, the people from her past insist that the core of Lina hasn’t changed.

 

“She’s always carried herself like she was balancing a crown,” Mariel says, “but now it’s just visible to everyone else.”

 

Because before the gowns, before the glitter, before the title—there was simply Lina. And that, the people who love her say, is the real story.

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